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1/125th, f1.8. Photographing a sticker of a photographer photographing you. That's a lot of photographing.
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1/30th, f11. Dark sky due to a negative processing error, but the effect is nifty. When the film was loaded on the developing reel, the negative was touching another negative, so the emulsion did not develop properly. That leaves the darkened area seen in this image.
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1/100th, f1.8. Some purple flowers to test this lens' ability to take close-up shots.
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Full second, f16
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1/500th, f1.8. Focus is a bit off, but in my defense from the time I raised the camera to the time I shot the image -- including focusing, was the time it took him to begin his jump and get to the zenith.
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1/60th, f1.8. I'm pleased enough with this shot to keep it. Lining it up to be perfectly symmetrical posed a challenge, but it seems that the Embarcadero Place architects must have wanted the flower sculpture to line up exactly with the tower.
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1/30th, f1.8. Hyatt in downtown San Francisco
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1/30th, f2. Also the Hyatt. There are two ways to photograph buildings: Straight on or at an angle. If you elect to use an angle, don't make it look like an accident. Go big or don't both. So I attempted a fiarly extreme angle here after the previous shots had been straight on.
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1/30th, f1.8.
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Because I expected this roll to only have about 27 frames, I stopped keeping track of the shots after frame 29 (the above image) expecting that each one would be the last and that it would not turn out.
Had you asked me a week ago if I felt a 55mm lens was well suited for architecture photography, I'd have said no. I think of this lens as a good portrait and close-up lens. However, it has good resolving ability and would is very well suited to architecture.
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