Walk in the Park

Today: no words, just photos.

Dog Days with the Recesky DIY TLR

A month or so ago I picked up a couple of Recesky DIY TLRs. These are hardcore toy cameras with plastic bodies, very simple focusing mechanisms, and plastic lenses. The following videos show how to build the camera. After the videos, I'll share some photos from the first two rolls off the black-bodied Recesky.

The blue line is from something in the camera that's scratching the film emulsion. But, it's a plastic camera, so hopefully no one expects the results to be perfect. I like the color transmission in these photos. And the center detail is simply staggering. The edge softness creeps in pretty quickly, but it's less severe the closer you focus. At infinity, the edge softness is pretty extreme. With the closest focus, it's almost non-existent.


For portraits, this camera has some serious potential.


Even with light leaks and emulstion scratches, it's pretty great.


In black and white the camera exhibits impressive contrast transmission and excellent detail.


Infinity focus -- extreme edge softness.

Last day in Tokyo

Back in July I spent a week in Tokyo. On my last day, I met up with my buddy Steve who lives near Mt. Fuji. Steve showed me around Shinjuku, Akibahara, and some other neighborhoods. We went to a festival for some fireworks and were rained on. Some rando put their fingers on my 31mm FA Limited's lens on accident. I ate the most incredible street food and octopus I've ever tried.


Before Steve arrived, I had about an hour to ram around Shinjuku and stumble into a Nikon shop. It was pretty great as I'd never seen one of the Canon f0.95 "Dream Lens" lenses before. After Steve arrived, he showed me all the great camera stores in Shunjuku. I wish I had bought some cameras. I wanted to but, for some reason, decided against it. Yes. Worst decision of the trip.


At Shinjuku Station, they had some mascots.


And somewhere in Tokyo this Panda waited for its owner to leave a store.


After some hours, we ended up at a festival. I forget what for, but there were fireworks over the river, too. A good portion of the people dressed in traditional Japanese garments.


Tradition mixed with modernity.


Steve and I were not the only photographers there. This girl from Hong Kong had a Holga.


Steve and I seemed, for a while, to be the only people NOT shooting medium format. I really liked this guy's Bronica. Beautiful camera.


And a giant lantern. I could have easily gone through two more rolls of film at the festival but everyone kept asking me to take their photos. Literally, they left everyone around me alone. Steve, who speaks Japanese, said someone said they thought I was a professional. I guess a lot of people heard that.


After deciding to take photos of things other than other people with their cameras, Steve and I were herded by a cop with a megaphone almost as big as him. It's pretty great.


And we stopped for octopus. Totally worth the 15-minute wait. I wanted more. I want to fly back to Tokyo and walk around until I find this place and have more.


Unfortunately, I don't have any fireworks photos because it rained. Hard. It was all Steve and I could do to keep our gear from getting wet. In the subway, we watched a few trains leave to get shots of how insanely crowded they were.


The cops tolerated us. Mostly.

Domo Aragato, Mr. Roboto -- the Film Version

In early July I had a post called Domo Aragato, Mr. Roboto. It featured some still lifes I made with my dad's old toys and my Pentax K-7. This week I'll share some of the film photos I took that night along with the camera I used.

Pentax 6X7 (Fuji 100 Acros)


Minolta SRT 102 (Foma 100)






Pentax Spotmatic SPII (Foma 100)

Yellow filter (note that the red caboose is substantially lighter than a red caboose would normally be while the blue robot in the front is very dark.)


Red filter (here the red caboose is dark enough to read the white American Flyer text, mostly due to a slightly longer exposure time, and the robot is much darker than in the previous image.)


Blue filter (here the caboose is dark and the robot much lighter.)

Filters work by cutting lights waves that don't pass through the glass color. So a red filter actually cuts all the light waves except red. The further the color rests on the spectrum from the filter color, the more effectively that filter blocks it. So red filters make blue dark gray or black and blue filters make reds dark gray or black.

Canon RT (Kodak Double-X, 5222)






Zeiss Ikon Contaflex (Kodak Double-X, 5222)














Canon AE-1 (Kodak Plus-X 125)

F3 Workout

I took my Nikon F3 on a Memorial Day hike in the Lime Ridge Open Space. I wanted to get some nice nature photos and see if any wildlife was active. None was, but I managed a few nice shots in the open space anyway. I shot eleven rolls of film, including a roll of mystery film that exposes at ISO 1.6. It came in a container labeled Kodak 2383, and the film matches the general description of 2383, but it lacks the edge markings. Anyway, here are some of the better shots, taken on various films, from the hike.



















Here's a sample shot from the mystery film. You can see it has pretty nice tones and incredible detail, but it's ISO 1.6 and I just don't know what I can even do with that.