Here's my final portfolio. I'll add some notes about how I made each shot. I decided to attempt abstracts created by abstracting subjects, using darkroom processes, through macro work, and by simply photographing unrecognizable subjects. I managed all four, which I was happy with.
These first four received pretty wild speculation about how I captured them. People noted the movement in the last one, and the abstract forms in the first two. To me, the third should have been a hint that something ordered had occurred. A lot of people asked how I did them and I agreed to show the class after my portfolio showing if no one guessed the method. That received some interest. After my portfolio showing, I turned on my cell phone and switched to my Electric Sheep live wallpaper. I used a macro lens and took about 13 rolls of film of the wallpaper's renderings to obtain these four shots.
I made these two with a pinhole camera. The first pinhole is a Monster energy drink (how do people drink that stuff?!?) can with five pinholes in an "X" pattern. The latter is a Brisk Iced Tea can with two pinholes oriented at about 75 degrees.
These two were shots at the De Young museum that I manipulated in the darkroom. Prior to and during print exposure, I brushed very dilute fixers onto the images to cause a smoke effect on the prints.
This was a similar process to that above except with developer and a bright flash of light to solarize the image. In real life, it's actually kind of purple and green.
Just a photogram of nails. I set all the nails on their heads, so the different perspectives are from the angle of light casting shadows on the nails.
A macro shot of a white acrylic sheet resting on a beer stein back lit by a naked bulb. This was just a test shot, actually, to confirm focus, but it worked really well.
The bulb on my Repronar. I dodged the surround, otherwise it would have been black instead of gray.
This also stupified people, too. For this I used my Repronar and placed a plastic tray on the light plate and poured in some vegetable oil. I added oil-based paint and the different colors reacted and spread differently.
These two came from a stereoscopic pinhole camera. I've featured it on this blog before.
The first image was an accident created by exposing paper to light and then developing it in the light in developer being mixed and with a distinct temperature gradient in the fluid. The bottom is a contact print of the paper negative.
