The Canon RT introduced the Pellicle mirror to cameras. The only camera I've ever used with no blackout during the photo capture, an effect I still find somewhat disconcerting. I don't know how to fully use the RT yet; some of its functions are still a mystery. I'll learn how to use all of it when I get an EF lens to mount to it.
Hand-held 1/8 of a second at f8. One advantage of the RT's system, which has no mirror movement to shake the camera during exposure, is that it allows much longer hand-held exposures.
1/180th at f1.8. Each winter San Francisco has a skating rink in the Embarcadero. I tried the same shot twice at two apertures.
1.90th, f4. The same shot with a deeper depth of field.
1/60th, f2.5. San Francisco boasts a wealth of statuary. Some exceptional and some, well, curious. I think this is a samurai, but I'm not entirely sure.
I took a couple shots on this roll specifically to convert to monochrome. Why? No good reason. This was one of them.
And here it is in monochrome. Monochrome provides a different view on reality unburdened by color's messiness and chaos.
1/60th, f11. One final image, shadows at a Muni stop.
A Year in Photos
Photography, fiction, and personal essays form my three primary creative outlets. For this blog's first 18 months, I used it primarily for photography. As I've returned to creative writing, I'll use this blog for fiction, too. Sometimes, when reality needs to be discussed more than truth, I write personal essays.
This blog will continue to showcase as many above-average photos as I can muster. Hopefully my written work will be as good or better than the visual. Whichever drew you here -- photographs or fiction, I hope you enjoy both.
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